Wedding film trailer
A wide wedding trailer: the couple's names and date open it, the day's moments melt into each other in slow dissolves, and your studio closes it.

What Vidova will do
Make a 17-second, 16:9 wedding trailer for my videography studio's website or YouTube. Open on a thin slit of moving light with the couple's names above it and the date below, then part the bars to a wide letterbox. Melt the day's moments into each other, slow the rings to a quarter speed as the one peak, and close the bars back to the slit on the last dance with my studio name and booking line. Footage: I attach an opening clip with the couple in the middle of the frame, such as a walk or a portrait, a close clip of the rings going on, one to three clips of the day such as the toast, the kiss or the party, and a last clip that moves on its own, such as the last dance. I give you the couple's names, the date, my studio name and my booking line. Look: Golden hour film on every scene: temperature +8, saturation -4, contrast -4, vignette 14. Bars in near-black (#080706). Words only ever sit on the black bars, never on the picture. The names and the studio are Instrument Serif at up to 150 pixels in warm white (#f3ead9). The date and the booking line are Montserrat 500 capitals, widely spaced, at up to 50 pixels in soft gold (#d8b77a). Every scene creeps in 5 percent. Opening, 0 to 3.5 seconds: The picture shows through a slit 20 percent of the frame high, with the couple's faces in it. The names rise in letter by letter at 0.15 seconds, and the date blurs in at 0.55 seconds. At 2.4 seconds the bars part to a 2.39 to 1 letterbox over 1.1 seconds, like an eye opening, and the words fade out. Hero moment: At 4.1 seconds the rings dissolve in over 1 second. They rush in at about 2 times speed, brake in 0.25 seconds, and play at a quarter speed with AI smoothing as the ring passes the knuckle, pushing in 9 percent. Middle: At 7.7 seconds the toast or the kiss dissolves in over 1 second. No cuts, whips or flashes. Only slow dissolves. Ending: At 11.4 seconds the last dance dissolves in. From 12.8 seconds the bars close back to the slit. My studio name rises above it at 13.3 seconds, and my booking line blurs in below it at 13.7 seconds. The film ends at about 16.5 seconds. Sound: Each scene's own sound at 35 percent. A slow cinematic or piano piece swells in over 1.2 seconds, dips to 70 percent through the slow rings, comes back over 0.6 seconds, and fades out over the last 2 seconds.





