Velocity fan edit

Make a 13-second, 9:16 velocity edit of one subject from my clips, cut on the song's beats. The build rushes under a riser, the drop lands on the subject's biggest moment slowed to a quarter speed with one white flash, and every cut after it sits on a beat. It works for an athlete, a car, a character or a lifter. Footage: I attach 3 to 19 clips of one subject, in any shape. One to three of them have a clear moment, such as a hit, a goal, a jump, a lockout or a drift, with footage on both sides of it. The rest have steady motion for the cuts between. Fill the vertical frame with every clip, never black bars, and keep the subject in the middle. Mute the clips. Song: A phonk, trap, drill, dark synth or heavy rock track at 90 to 160 BPM with a clear jump in level on a downbeat. Measure the beats and put every cut, ramp and flash on them. Start the film 8 beats before the drop. Build, 0 to 3.09 seconds: Short shots of 1 or 2 beats at 1.6 to 1.8 times speed, each one attacking in 10 percent over three frames and creeping on. A riser climbs about 20 LU into the drop. Hero moment: At 3.09 seconds the hero shot rushes in at up to 3 times speed and brakes in about 0.25 seconds, so the subject's moment lands exactly on the drop at 3.53 seconds. On that frame, a white flash for 0.1 seconds, a shake, red and blue fringes, an impact and a sub hit. The footage keeps moving at a quarter speed with AI smoothing for two beats, pushing in, then rushes out. If I give you a word or the subject's name, it lands here in huge stretched Anton capitals, about 70 percent of the frame wide, clear of the face, for 3 beats. Run, 5.74 to 10.59 seconds: Every cut on the beat, with each shot's hit on a beat inside it. Downbeat cuts spin the frame in from 22 degrees with motion blur and a whoosh. One cut can glitch in with a glitch sound. At most two more ramps, each with its own short flash and sub hit. Look: One cold or warm grade on every shot with high contrast, film grain and a vignette. Shadows never crush to black, and a dark shot gets lifted. Take one accent colour from the footage, such as a jersey or a tail light, for the title word only. Ending: The last shot spins in at 10.59 seconds, and the shot and the song fade out together over its last second, with a short black at the end. For a harder edit, cut to black on the last downbeat with a flash and a sub hit ringing through it.