Offer countdown story

Make a 12-second, 9:16 story for my limited-time offer. The offer slams onto a dark band at the top of the frame the moment my product comes alive. Then the band turns into a live clock that counts down to my deadline while the product is used and packed, and the last shot holds my brand name and one action over the product. Footage: I attach a hook clip where the product comes alive, such as a match lighting it or a lid opening, a clip of the product in use, a clip of it being packed or delivered, and a last shot of the product with room above it. The product sits under the band in every shot, so move a shot down and scale it when the product sits high. Hook, 0 to 3 seconds: The product comes alive. On that exact second, about 0.85 seconds in, a near-black band (#14100d) opens at the top of the safe zone in 0.16 seconds, and my offer slams onto it in Anton capitals at 168 pixels in an amber accent. At 3 seconds, cut to the product in use, and what the offer covers drops in word by word in warm white Anton at 118 pixels. The clock: At about 4.9 seconds, cut to the packing shot at 1.4 times speed. The band shows my deadline in small tracked Oswald capitals over a clock in Anton at 138 pixels. The clock starts at the real time left from posting to my deadline, and a new value drops in every second. Hold this shot at least 2 seconds so the clock counts at least twice. No tick sound: the moving digits carry it. Ending: At 8 seconds, cut to a slow push on the product. At about 8.25 seconds the band drops into the top of the safe zone again with my brand name in Fraunces 600 at 100 pixels, then my action at 46 pixels with my web address in the accent. Every line fits 660 pixels, centred in the safe zone, and reads at 4.5:1 on the band. No middle dots. Look: Every shot creeps in about 6 percent and is still moving at the cut. One warm product grade on every shot: warmer, saturation up 8 and contrast up 10. Sound: Each clip keeps its own sound at 70 percent, such as the strike and the paper. Lower any clip that is much louder than the others. A bright track at 40 percent, already playing on the first frame, fades out over the last second together with the last shot's own sound. Add no sound effects.