Hiring announcement

Make an 11-second, 1:1 feed post that says my business is hiring. Someone doing the job opens it with the role on a band. Then the frame turns into a page of the working day, a 2 x 2 grid with a heading in one cell and three moments of the day playing side by side, each with its hour. It ends on the finished work under my business name and how to apply. Footage: I attach one clip of someone doing the job, with room at the top or the bottom for the role, three clips of moments in the working day in the order they happen, and one clip of the finished work for the close. Square clips fill their cells. Vertical or horizontal clips sit whole inside their cells. Opener, 0 to 3.2 seconds: The person at work, creeping in about 6 percent. At about 0.36 seconds, the role I give you, written as one sentence, opens on an opaque warm white band (#f2efe9) on the edge the person leaves clear and rises in word by word in navy Archivo 800 at 70 pixels. The day, 3.2 to 8 seconds: The frame becomes a deep navy page (#14212c) cut into a 2 x 2 grid of 519-pixel cells with 14 pixels of page between and around them, so the grid fills the frame. A short heading I give you, six words at most, sits in the top-left cell in Archivo 800 at 112 pixels. From 3.55 seconds the three moments arrive in reading order, 0.4 seconds apart. Each grows from 90 percent in 0.4 seconds as it fades in, then creeps 2.4 percent to the cut. 0.15 seconds after a square lands, a tab opens at its top left and the hour I give you rises in on it in light blue Red Hat Display at 52 pixels. All three keep playing side by side. Close, 8 to 11.3 seconds: The finished work on full frame with a slow push. At 8.25 seconds a solid warm white band drops in on the clear edge with my business name in Archivo 800 at 84 pixels. At 8.6 seconds, how to apply appears under it at 44 pixels, with my address or email in the accent. Look: A daylight grade on every shot, slightly warm, with contrast up 10. Every line reads at 4.5:1 and no line has a middle dot. Sound: The work's own sound at 60 percent, half that under the grid. A light, upbeat track runs under it at 40 percent and fades over the last second.